THE FUTURE IS NOT ONLY DIGITAL.​

THE FUTURE IS NOT ONLY DIGITAL.​

As gainful employment is for many people tied solely to computers and screens, powerful experiences and recreational alternatives are sought elsewhere.

As gainful employment is for many people tied solely to computers and screens, powerful experiences and recreational alternatives are sought elsewhere.

People are interested in counterbalancing their digital lives. This has set the pendulum in motion, with many businesses looking to set themselves apart through graphic design, high-quality presentation, and carefully considered print product families in addition to online visibility.

Even the exponential growth in the popularity of audio books is a sign of this change. But even this phenomenon has its detractors. “Our literature is becoming more simplified and stupid under the supremacy of sound”, wrote Laura Lindstedt in Helsingin Sanomat at the turn of the year. She continues: “We need the idea of the future as much as we need future itself.” Similarly, we need the idea of a book – a concrete object we can touch, keep hold of, and pass on – as much as we need literature.”

Thus, trailblazers will soon rediscover the fascination of printed literature, and magazines, publications, research reports, and catalogs printed on actual paper. The pendulum motion will grow stronger as larger numbers of consumers join in. And you never know; there may come a day when we discover that extreme reliance on reading via terminal devices is linked with such adverse health effects that the use of these devices must be restricted.

The device is an important message in our time, and just like research continuously expands, evolves, and develops, we also find new, anthropogenic solutions for passing it on. Is it wise for universities of applied sciences to stop offering degree programs in printing technology now that the sky is the limit for the development of new printing technologies?

Words matter

The perceptions we cultivate of the sector or the quality of the professional we train for the Finnish workforce are therefore not irrelevant for the future of the printing industry, the print media, and the related services. The possibilities of print media extend to almost all areas of life and create traces of magic in our daily existence. Print products are linked with positive associations: the term fascination of print is often used internationally, and it should be emphasized more in Finland as well.

The opportunities of print media are almost unlimited. The above image depicts the creative use of fluorescent printing colors. Almost any surface or material conceivable today can be printed on. New opportunities are constantly being implemented. For example, the German printing house Koenig & Bauer has described the print world as follows:

“We do not know what will be printed tomorrow or what it will be printed on. No one does. But we are certain that print products make our world what it is: a world of people, consumers, patients, artists, employers, various printing technologies and the investors who believe in them, those who have continued to story of print for centuries, and the pioneers who shape its future. It is a world that is constantly being re-created. As a fascinating, living, and versatile world!”

The leaders, entrepreneurs, employees, developers, and researchers are currently growing in various educational institutions and higher education establishments. However, Finnish universities of applied sciences have practically stopped offering master’s degree programs in graphic technology. Aalto University stopped years ago, and the last batch of Finnish MScs graduated from Metropolia University of Applied Sciences in 2017, as this field of study had to be abandoned due to budget cuts targeting higher education.

This development trend must be reversed as we approach the 2020s. “Print is not dead”, as they say in the leading institute of higher education for print media in the world. Printing technologies have developed by leaps and bounds in recent years, and the results of the climate change debate may turn out to be favorable to the paper industry and the print media.

The media industry and the graphic technology sector have worked actively to identify key dynamics, competence needs, and alternative scenarios to allow them to succeed during this change. The graphic industry is still significant in terms of the public economy, and print media is not dead yet. Quite the opposite: for example, the share of digital, packaging, and label printing is clearly on the rise.

Painovoimaa! study published to support the development of the industry

Supported by a grant from Media Industry Research Foundation of Finland, Metropolia University of Applied Sciences has produced a study on the required measures and a roadmap suggestion for securing expertise in Finland.

The study is published in the University’s publication series under the title Painovoimaa! Selvitys graafisen alan insinööriosaamistarpeista sekä koulutuksen houkuttelevuuden, kansainvälistymisen ja yhteistyörakenteiden lisäämisestä (Printpower! A study of the future competence needs in graphic technology, the ways to increase attraction for higher education and international networking in the field). It is an important requirement for planning future measures if we want to offer master’s degree programs in graphic technology and attract young people into the industry.

The Painovoimaa! study provides a review of the changes and challenges faced by the graphic arts industry and the previous graphic technology degree programs. The data for the study is compiled from:

  • sources of reference
  • research theses
  • interviews with specialists and experts in the field
  • an electronic survey
  • workshops
  • an international comparison of curriculums

These were used to

  • provide an up-to-date overall view of the development of the industry
  • update our information on the competence need for master’s degree programs identified by the graphic arts industry
  • increase the attractiveness of the industry in the eyes of potential students.

The publication also comprises a proposal for returning graphic technology studies into the media technology program as a minor subject consisting 30 credits, i.e. a single term. However, as working-life oriented education is the main function of universities of applied sciences, Metropolia University of Applied Sciences cannot act alone or in a vacuum. To support the revitalization of graphic technology education, the study provides an outline for a roadmap whose implementation would require extensive cooperation and a mutually shared vision of the needs of the industry in the future.

The report that was published in the TAITO series of publications was written by Tuire Ranta-Meyer, PhD, Docent, Director, and Toni Spännäri, MSc, Senior Lecturer. The editorial team also included Pentti Viluksela, DSc, senior lecturer, Suvi Hartikainen, coordinator, RDI, Suvi Hartikainen, and future MScs Natalia Alam and Lauri Lehto from the Information and Communication Technology program as the authors of theses.

Guiding research questions

The purpose of the report was to find new perspectives and answers to the following questions in terms of MSc education.

  • What graphic technology expertise should be retained or developed further in Finland?
  • What kind visions or scenarios for MSc degree programs in graphic technology of the future can be found?
  • What type of graphic technology studies would best serve the industry?
  • What are the prospects of the graphic arts industry in terms of education and the industry?
  • What are the employment prospects in the graphic industry for MScs?
  • How could the attractiveness of the industry be increased in the eyes of potential students?
  • Miten koulutuksen kansainvälisyyttä on tarkoituksenmukaista edistää?
  • Which new forms of cooperation between the industry and education could be realistically implemented?
  • What would the process that allowed us to move from ideas and visions into execution and credibility consist of?
  • How can we ensure the level of competence and sustained development of teacher and those responsible for the relevant MSc programs?
  • What is the roadmap that would enable us to resolve the issues related to funding and secure a strong future for the industry?

Higher education for graphic technology is needed in Finland

According to the interview and survey section included in the report, higher education for graphic technology is needed in Finland today and in the future. Without the opportunity to gain sufficient specialization and a tertiary degree in the field in your own country, the position of the graphic industry could deteriorate. Although the hardware manufacturers do their part for the development of printing technology knowledge, the education they provide is not enough. Courageous experiments that have often been based on basic engineering competence become rarer, and the related development potential is left unachieved.

In order to reinforce positive perceptions and thus increase interest among young people, the graphic industry enterprises, Graafinen Teollisuus ry, higher education institutions, and vocational institutions should join their forces. Together, they should

  • invest in favorable visibility
  • communicate more effectively on the true nature of the industry and the employment prospects
  • share, for example, interesting career stories and summer job experiences on websites, during higher education application campaigns, and on social media

This would allow the graphic industry to be better present in the everyday lives of potential students.

International study trips, summer school, or international exchange programs could also open the students’ eyes in terms of the opportunities of print media and various technologies requiring special expertise. Getting to see the massive modern printing machines up close and examining their control methods, special printing features, and material flow management that are largely based on information technology can be a powerful experience. Young people are also interested in world-class education in the field, which means that the promotion of international exchange programs with leading higher education institutions in the field is a key pull factor.

Graphic technology studies should be emphasized more in higher education institutions and in upper secondary education. If they are not even included in the curriculums at the heading level, it is clear that more detailed descriptions do not exist. Thus, there is very little to grasp hold of and potential students will not think to look into the specialization and employment prospects of graphic technology during their studies.

Support from the industry for students interested in graphic technology studies could also be provided, for example, as a grant or scholarship for international studies awarded each year. Alternatively, the support could also be directed at theses, for example by awarding grants to the authors of excellent theses related to graphic technology. For example, grants and acknowledgements are awarded in various other technological fields in Metropolia as a demonstration of appreciation by the industry in question.

Roadmap for 2020–2022

The report proposes a roadmap for the implementation of the development ideas and plans: concrete steps to be taken in coming years. The window is now open in the direction of international cooperation, vocational education in print media, and lifelong learning requirements.

Minor study programs that are organized in cooperation with each relevant industry and initially funded through sources other than the Ministry of Education and Culture are becoming increasingly common in universities of applied sciences. These types of programs may consist of precision education intended to combat expected labor shortages, but Metropolia can present encouraging examples of permanent study programs leading to a qualification, which were originally set up for further education purposes or based on a goal-oriented intention to improve the level of education of operators in the field. Using the steps presented in the roadmap, Metropolia University of Applied Sciences, together with operators in the industry, could make graphic technology into a visible, developing, and concretely available field of specialization in higher education institutions and more widely in the Finnish education system.

Proposal for a minor program in graphic technology
In the report it is proposed that a minor program of study for graphic technology comprising 30 credits would, at least initially, be created as a pilot project in Metropolia University of Applied Sciences. This is based on the fact that expertise of graphic technology, business economics, and technical sales already exists at Metropolia. The study program should be available for completion in a flexible manner and offered as optional studies in the fields of technology and communication, as systematic path studies for print communication students in vocational education, and as further education for those who have already entered the workforce.

The minor subject would consist of two modules organized such that one would focus on graphic technology studies and the other on business economics and sales.

Graphic technology module 15 credits

  • Introduction to print communication 5 credits
  • Pre-press and color management 5 credits
  • Emerging technologies and sustainable development 5 credit

Industrial and business economics module 15 credits

  • Introduction to technical sales 5 credits
  • Business economics 5 credits
  • Production design and control 5 credits

Where the studies at a university of applied sciences include a one-term practical training period and a working-life oriented thesis comprising 15 credits, it is possible to allocate up to half (120 credits) of the 240 credits included in master’s degree studies to graphic technology:

  • Graphic technology module 15 credits
  • Industrial economics module 15 credits
  • International exchange 30 credits
  • Practical training 30 op
  • Optional studies 15 credits
  • Thesis 15 credits

Read the original article here.

— Tuire Ranta-Meyer